Cornelis van Dalem
1535-1576 Dutch Cornelis van Dalem Location Flemish painter. He was the son of a well-to-do cloth merchant living in Antwerp, but of Dutch origin. Cornelis received a humanistic education. His father, who owned land in Tholen, as a vassal to the Counts of Holland and Zeeland, was dean of the chamber of rhetorics De Olijftak (The Olive Branch) in Antwerp in 1552-3. According to van Mander, Cornelis was himself learned in poetry and history and only painted as an amateur, not for a living. Documents in the Antwerp archives invariably refer to him as a merchant, never as a painter, which no doubt accounts for the small number of known paintings by him. He learnt to paint with an otherwise unknown artist, Jan Adriaensens, who had also taught his older brother Lodewijk van Dalem ( fl 1544-85). The latter was inscribed as a pupil in 1544-5 and became a master in the guild in 1553-4. Cornelis was himself inscribed a year after his brother, and he became a master in 1556, the same year he married Beatrix van Liedekercke, a member of an Antwerp patrician family. They lived in Antwerp until late 1565, when, apparently for religious reasons, they left for Breda, together with the artist mother, who had become a widow in 1561. In 1571 several local witnesses testified that van Dalem, who was then living in a small castle, De Ypelaar, in Bavel, near Breda, was strongly suspected of being a heretic. He was never seen in church and was said, on the contrary, to have often attended Protestant services and to have publicly expressed contempt for Papists.

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Cornelis van Dalem Landscape oil painting


Landscape
1564 Pinakothek, Munich
Painting ID::  693
Cornelis van Dalem
Landscape
1564 Pinakothek, Munich
   
   
     

Cornelis van Dalem Landscape with Farmhouse oil painting


Landscape with Farmhouse
Date 1564 Medium Oil on wood Dimensions 103,2 x 127,7 cm
Painting ID::  70391
Cornelis van Dalem
Landscape with Farmhouse
Date 1564 Medium Oil on wood Dimensions 103,2 x 127,7 cm
   
   
     

Cornelis van Dalem Farmyard with a Beggar (mk05) oil painting


Farmyard with a Beggar (mk05)
Wood 15 1/4 x 20 1/2''(39 x 52 cm)In the collection of Eberhard Jabach 1696 as by Pieter Bruegel the Elder;given in 1918
Painting ID::  20297
Cornelis van Dalem
Farmyard with a Beggar (mk05)
Wood 15 1/4 x 20 1/2''(39 x 52 cm)In the collection of Eberhard Jabach 1696 as by Pieter Bruegel the Elder;given in 1918
   
   
     

Cornelis van Dalem Landscape with Farm oil painting


Landscape with Farm
Oil on panel 103 x 128 cm (40.55 x 50.39 in)1564
Painting ID::  66251
Cornelis van Dalem
Landscape with Farm
Oil on panel 103 x 128 cm (40.55 x 50.39 in)1564
   
   
     

Cornelis van Dalem Landscape with Farm oil painting


Landscape with Farm
Oil on panel 103 x 128 cm (40.55 x 50.39 in) 1564
Painting ID::  66253
Cornelis van Dalem
Landscape with Farm
Oil on panel 103 x 128 cm (40.55 x 50.39 in) 1564
   
   
     

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     Cornelis van Dalem
     1535-1576 Dutch Cornelis van Dalem Location Flemish painter. He was the son of a well-to-do cloth merchant living in Antwerp, but of Dutch origin. Cornelis received a humanistic education. His father, who owned land in Tholen, as a vassal to the Counts of Holland and Zeeland, was dean of the chamber of rhetorics De Olijftak (The Olive Branch) in Antwerp in 1552-3. According to van Mander, Cornelis was himself learned in poetry and history and only painted as an amateur, not for a living. Documents in the Antwerp archives invariably refer to him as a merchant, never as a painter, which no doubt accounts for the small number of known paintings by him. He learnt to paint with an otherwise unknown artist, Jan Adriaensens, who had also taught his older brother Lodewijk van Dalem ( fl 1544-85). The latter was inscribed as a pupil in 1544-5 and became a master in the guild in 1553-4. Cornelis was himself inscribed a year after his brother, and he became a master in 1556, the same year he married Beatrix van Liedekercke, a member of an Antwerp patrician family. They lived in Antwerp until late 1565, when, apparently for religious reasons, they left for Breda, together with the artist mother, who had become a widow in 1561. In 1571 several local witnesses testified that van Dalem, who was then living in a small castle, De Ypelaar, in Bavel, near Breda, was strongly suspected of being a heretic. He was never seen in church and was said, on the contrary, to have often attended Protestant services and to have publicly expressed contempt for Papists.

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